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‘We didn’t care what the client wanted!’: Sheffield’s Designers Republic on their art for Aphex Twin, Pulp … and Pringles

The Guardian — Art & DesignDaniel Dylan Wray52 次阅读

【资讯解读】‘We didn’t care what the client wanted!’: Sheffield’s Designers Republic on their art for Aphex Twin, Pulp … and Pringles 从现有信息看,本文提到的技术变化集中在开发效率与运行稳定性两方面。对于业务团队来说,短期收益通常体现在迭代速度,中长期收益则体现在维护成本下降。结合社区趋势,建议先在小范围模块试点,再逐步扩展到主干工程。 原始片段:Their eye-popping designs burst out of Sheffield in 1986, making them the toast of the music scene. Founder Ian Anderson reveals why some fans think his art is worth remortgaging the house for Forty years ago in Sheffield, Ian Anderson founded one of the most influential UK design companies by mistake. “The name the Designers Republic was a joke, because we weren’t designers,” he recalls. “Early on, everything we did was in black and white because we didn’t know how to make it colour.” With co-f